Bohumila Mouchová, Eva Kuťáková: Václav Marek
Ciceroniana
Orla Fiona Mulholland: The Subscription of Statilius Maximus to Cicero, De lege agraria
Pavel Nývlt: Leaders of the Four Hundred in Works of Cicero and His Roman Contemporaries
Romana historka et litteraria
Lenka Vacinová: The Punishment of Tarpeia and Its Possible Iconographie Inspiration
Daniela kleine Burhoff, Ramuné Markevičiuté, Daniel Melde, Marvin Müller: Quibus morts, non virtus, salutifuit. Raumsemantik im Bellum Hispaniense
Lucie Pultrová: Remarks on Varro's Word-Order
Ivan Prchlík: Awefor nominis eins Christus. Tacitus' Knowledge of the Origins of Christianity
Stanislav Doležal: Did Hadrian Ever Meet a Parthian King?
Bořivoj Marek: The Hermeneumata (Pseudodositheana) and Their Didactic Use
Iveta Pastyříková: Firmior Herculea mundus cervice pependit. Searching for the Ideal Form of Government in Claudian's Epic De Raptu Proserpinae
Graeca et Byzantina
Sylva Fischerová: La technicité de la médecine hippocratique et ses limites
Jan Bouzek, Iva Ondřejova: Grotesques, Caricatures and the Clever Mice at Pistiros
Ján Bakyta: Iustinianos - der neue Augustus? Adoption, Name und Propaganda eines künftigen Kaisers
Ondřej Cikán: Barbares Basileus. Parodie und Lob in der Darstellung der Barbarenfürsten im Roman Rhodanthe und Dosikles von Theodores Prodromos
Antiquitas rediviva
Dana Picková: Roman and Byzantine Motifs in ???????? ? ??????? ???????????? (The Tale of the Princes of Vladimir)
Jan Bažant: The Allegory of Dynastic Succession on the Façade of the Prague Belvedere (1538-1550)
Markéta Melounová: Debtors and Decoctores in the Travelogue of Christopher Harant of Polžice and Bezdružice. Some Examples of How a Humanist Scholar Worked with Primary and Secondary Sources
Jana Kepartová: Das Bild von Pompeji im Unterricht in den böhmischen Kronländern. Die Zeit des habsburgischen Schulwesens (1849-1918)
Latina recentiora
Kateřina Bobková-Valentová: Il latino come lingua di comunicazione tra le case religiose nelle Terre ceche
Alena Bočková: Historia S. Joannis Nepomuceni of 1729 and Its Contemporary Translation in the Context of Baroque Translations
