V cudzom jazyku knihy o dejinách a teórii umenia od vydavateľstva Taschen - strana 3 z 6

In a fleeting 14-year period between two world wars, Germany's Bauhaus School of Art and Design changed the face of modernity. With utopian ideas for the future, the school developed a pioneering fusion of fine art, craftsmanship, and technology, ...

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Art as we know it today would not exist without the Renaissance. Widely considered the most influential phenomenon in European art, architecture, literature, and science, the movement revolutionized the Western conception of reality and heralded the ...

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This spectacular compilation of plates, representing a superb collection of ancient vases, is the fruit of a collaboration between Sir William Hamilton (1730 - 1803), British diplomat and collector, and Pierre-François Hugues d’Hancarville (1719-1805), ..

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German Expressionists were uneasy and angry. Emerging at the dawn of the 20th century, they railed against Christian and bourgeois values as much as rampant urban industrialization. Anti-imperialist, they were dispersed, shattered, ...

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Monografia génia umenia 20. storočia

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As his personal circumstances move in constant flux, Ai Weiwei remains a cultural magnet. Renowned for his political activism and social media activity almost as much as for his social interventions, contemporary approach to the readymade, and...

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Legendary tattoo artist and historian Henk Schiffmacher takes us on a personal journey through the history of tattooing from the 1730s to the 1970s in this oversized book of stunning tattoo artifacts and...

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A lifelong devotee of ancient Egyptian and Oriental culture, the French author, artist, and scholar Achille-Constant-Theodore-Emile Prisse d'Avennes (1807-1879) is famed as one of the most influential Egyptologists, ...

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City lights and cherry trees: The woodblock prints of Tokyo that captured Europe's imagination Utagawa Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning "pictures of the floating world, ...

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In the late 1910s, in a Europe ravaged by World War I, Danish illustrator Kay Nielsen put the finishing touches on his illustrations of A Thousand and One Nights. The results are considered masterpieces of early 20th-century illustration...

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Urban islands and bamboo hideaways set the stage for a pop culture phenomenon like no other. In mid-century America, the imaginative appeal of Tiki penetrated fashion, music, eating, drinking, and architecture...

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Rising from the ashes: The first color lithographs of the rediscovered Pompeii. When the excavations at Pompeii were first placed on a scholarly, archaeological footing in the 19th century, brothers Fausto and Felice Niccolini were close at hand and...

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With Salvador Dalí as its figurehead, the great ship of Surrealism traversed the turbulent seas of the early twentieth century with sails billowing with dreams and desires. Inspired by the psychoanalytical practise of Sigmund Freud, ...

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Fernando Botero is an artist with his own style. For more than six decades, the Colombian’s “Boterismo” technique has captured collectors, institutions, and public spaces worldwide with a unique, fleshy, overblown approach to the human body...

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Peaking in the 1960s, Pop Art began as a revolt against mainstream approaches to art and culture and evolved into a wholesale interrogation of modern society, consumer culture, and the role of the artist and artwork...

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Brushwork revolution: The neglected champions of ImpressionismIt was a dappled and daubed harbor scene that gave Impressionism its name. When Impression, Sunrise by Claude Monet was exhibited in April 1874, ...

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Utagawa Hiroshige (1797–1858) was one of the last great artists in the ukiyo-e tradition. Literally meaning “pictures of the floating world,” ukiyo-e was a particular genre of art that flourished between the 17th and 19th centuries and came to...

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Though his work is often categorized as Pop Art for its use of popular iconography and household objects, Jasper Johns can also be described as a Neo-Dadaist...

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Who could possibly have forecast on New Year's Eve 1899 that, one hundred years later, painting and sculpture would be only options, not prerequisites?..

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For a fruitful period between the 1880s and the First World War, European and North American culture deferred to nature. With a symphony of flowing lines and organic shapes, Art Nouveau (“New Art”) inflected architecture, design, ...

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